Dancing with the Orixás: Music, Body and the Circulation of African Candomblé Symbols in Germany
Dancing with the Orixás: Music, Body and the Circulation of African Candomblé Symbols in Germany
This article explores how the body and dance play a central role in the transnationalization of Candomblé among Afro-descendant people and increasingly for white Europeans by creating a platform for negotiating a transatlantic black heritage. It examines how an Afro-Brazilian artist and Candomblé priest in Berlin disseminate religious practices and worldviews through the transnational Afro-Brazilian dance and music scene, such as during the annual presence of Afoxé - also known as 'Candomblé performed on the streets' - during the Carnival of Cultures in Berlin. It is an example of how an Afro-Brazilian religion has become a central element in re-creating an idea of "Africa" in Europe that is part of a longer history of the circulation of black artists and practitioners of Candomblé between West Africa, Europe and Latin America, and the resulting creation of transnational artistic-religious networks.
CITATION: Bahia, Joana. Dancing with the Orixás: Music, Body and the Circulation of African Candomblé Symbols in Germany . : Brill , 2015. African Diaspora, Vol. 9, No. 1-2, 2016, pp. 15-38 - Available at: https://library.au.int/dancing-orixás-music-body-and-circulation-african-candomblé-symbols-germany