One hundred years of suffering? “Humanitarian crisis photography” and self-representation in the Democratic Republic of the Congo

Humanitarian images streaming from the ongoing conflict in the eastern Democratic Republic of the Congo (DRC) are not “new”. In fact, contemporary aid and journalistic images strikingly mimic photographs created a century earlier during the Congo Reform Association’s humanitarian attack on Leopold II’s actions in the Congo Free State. This article explores the consistency of these photographic forms and their surrounding text, showing how the images of suffering are not simple reproductions of observed reality but carry personal, local and political meaning. By analysing image content as well as the subject and photographer’s experiences of image creation, this article expands beyond realist objectivity to encompass the subjects’ visual embodiment of subjective desires and expectations. Specifically, I examine how the photographic space composed of the photographer, camera and subject, becomes an intersection replete with competing expectations, hopes and tensions. To situate these images and their subjective, political and humanitarian weight within the DRC itself, I conclude with analysis of how the Congolese choose to present themselves to a different audience: themselves.