Re-covered: Wangechi Mutu, Kenyatta A.C. Hinkle, and the postcolonial potentiality of black women in colonial(ist) photographs

By pasting on, cutting into and drawing over images of bodies, artists Wangechi Mutu and Kenyatta A.C. Hinkle re-cover colonialist photographs to recover postcolonial black female subjectivities. In her project, The Uninvited, ongoing since 2009, Hinkle has literally and conceptually drawn upon colonial-era postcards that feature photographs of nude West African girls and women, while Mutu has strategically combined images of black African and black American women from ethnographic and pornographic magazines to create her Ark Collection (2006). In the artists’ hands, the black female body is no longer shot, captured, framed or otherwise subjected to the camera. The narrative force and assumed veracity of photography is denied by ambiguous re-presentations of the multifaceted, processual nature of both art and the self. Moreover, rather than merely suggest the subjugation and fragmentation of black women, the works represent the postcolonial potentiality of transformation and agency.