Versatile Kinship: Trans-African Family Formations and Postcolonial Disillusionment an Niq Mhlongo's after Tears

Much of the existing scholarship on Niq Mhlongo’s works has engaged with the author’s portrayal of township life and his use of humour and deceit to address pressing contemporary socio-economic issues. This article examines the constructions and contestations of belonging in his novel After Tears with particular focus on the trope of the family and its reconstruction through multiple engagements with migrants from other parts of Africa. Reading the novel against the background of the study of family fictions in the South African transition, I argue that Mhlongo’s employment of the trope is indicative of the novel’s disillusionment with the democratic promise. For spectacular forms of deception and trickery, rather than affective bonds of care and love, hold the family together and become essential characteristics of postapartheid subject formation and versatile forms of kinship. After Tears, I suggest, assesses the possibilities and failures of trans-African family formations, but also (and notwithstanding the author’s appeal for continental solidarity) writes into being more conservative, citizenship-bound notions of family that are tightly interwoven with the characters’ experience of postcolonial disillusionment.